You can see some examples on the next page, along with in the video above.Īs you’d expect the Z9 effortlessly dealt with the cyclists with minimal effort on my part.
Nikon camera control pro 2 review manual#
All the shots were taken in manual mode at 4000th of a second, the maximum lens aperture and with Auto ISO limited to 25600 ISO, which was where most of the exposures ended-up.
Nikon camera control pro 2 review full#
If you’d like to see more Nikon videos, let me know!Īt the velodrome I mostly shot with the Z9 fitted with the Z 100-400mm zoom, a native lens launched alongside the flagship body, and if you’re interested in finding out more, head over to our Nikon Z 100-400mm review! Meanwhile the Z9 was set to its best quality JPEG mode, shooting at 20fps, and to really test the AF system, using the full area with human face and eye detection enabled. It’s just a brief chance to see how the camera performed during an afternoon of track shooting, share a bunch of photos from the day, plus a chance to reconnect with a system and company that I’ve not had much experience with in recent years. So when Nikon UK reached out with an invite to try the Z9 for track cycling photography at the Olympic Velodrome in London, I hopped on the train and headed straight to the capital.
Regular viewers will know I’ve not had the chance to review a Nikon camera since the Z7, although over at the website, Thomas has dutifully tested every single Z-mount lens if you’re interested. There’s also a cunning four-axis monitor that allows you to reposition the display for comfortable shooting at a variety of angles, albeit not forward to face you when in front of the camera. This is all packed into a tough, weatherproof body with a large battery, built-in portrait grip, and the control ergonomics we’ve come to love from Nikon. Meanwhile video shooters can enjoy 8k up to 30p or in 12-bit RAW up to 60p with a future firmware update, along with 4k 120p and the choice of codecs including 10 bit HEVC or Apple ProRes 4:2:2 HQ. And Nikon’s exploited the potential of a fully electronic system to deliver a lag-free viewfinder experience with no blackout. There’s a new 493-point AF system backed-up by deep learning and sophisticated object recognition with 3D tracking.
The Z9 is built around a 45.7 Megapixel stacked full-frame sensor, capable of bursts up to 20fps in RAW at the full resolution, or up to 120fps when reduced to 11 Megapixel JPEGs, all with full continuous autofocus.
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